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The 1619 Project

Four hundred years after the first enslaved Africans were brought to the colony of Virginia, most Americans remain woefully unaware of slavery’s centrality to the founding of their country. In August 2019, The New York Times Magazine launched The 1619 Project, marking the 400th anniversary of the start of American slavery with a multimedia editorial initiative that sought to reframe the way we think, discuss, and understand this institution and its aftermath. The project catalogued the legacy of slavery in contemporary American society, as well as the contributions of black Americans in actualizing the country’s founding ideals. While the magazine issue focused on how slavery still affects key facets of America, including modern capitalism, the prison system, and rush-hour traffic, the broadsheet section focused on the history of American slavery itself. Using objects from the National Museum of African American History and Culture, the section offered a visual history of slavery that most Americans haven’t learned, and an essay on why that history has not been accurately taught.

The 1619 Project TDC ECV

Design and Deputy Art Director
Ben Grandgenett
New York

Design Director
Gail Bichler

Art Direction
Matt Willey

Publication
The New York Times Magazine

URL
nytimes.com/magazine

Principal Type
NYT Mag Sans
NYT Mag Serif

Dimensions
8.9 x 10.9 in.
(22.6 x 27.7 cm)

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The 1619 Project: “We Must Tell the Unvarnished Truth”

Four hundred years after the first enslaved Africans were brought to the colony of Virginia, most Americans remain woefully unaware of slavery’s centrality to the founding of their country. In August 2019, The New York Times Magazine launched The 1619 Project, marking the 400th anniversary of the start of American slavery with a multimedia editorial initiative that sought to reframe the way we think, discuss, and understand this institution and its aftermath. The project catalogued the legacy of slavery in contemporary American society, as well as the contributions of black Americans in actualizing the country’s founding ideals. While the magazine issue focused on how slavery still affects key facets of America, including modern capitalism, the prison system, and rush-hour traffic, the broadsheet section focused on the history of American slavery itself. Using objects from the National Museum of African American History and Culture, the section offered a visual history of slavery that most Americans haven’t learned, and an essay on why that history has not been accurately taught.

The 1619 Project: “We Must Tell the Unvarnished Truth” TDC ECV

Design and Art Direction
Deb Bishop
New York

Design Director
Gail Bichler

Deputy Art Director
Ben Grandgenett

Publication
The New York Times Magazine

 

Principal Type
NYT Mag Sans
NYT Mag Serif
NYT Mag Slab

Dimensions
12 x 21 in.
(7.2 x 13.3 cm)

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Yoko Ono Growing Freedom

The exhibition’s signature illustrates an entwining of the words “Yoko” and “Ono,” expressing the intimate and participatory nature of the work presented by the artist.

Yoko Ono Growing Freedom TDC ECV
Yoko Ono Growing Freedom TDC ECV
Yoko Ono Growing Freedom TDC ECV
Yoko Ono Growing Freedom TDC ECV
Yoko Ono Growing Freedom TDC ECV
Yoko Ono Growing Freedom TDC ECV
Yoko Ono Growing Freedom TDC ECV

Design
Dominic Baron-Chartrand
Julien Hébert
Montréal

Art Direction and Web Design
Julien Hébert

Creative Direction
Mathieu Cournoyer
Bryan-K Lamonde

Account Director
Sarah Rochefort

Director of Technology
François Morin

Programming
Loïs Boubault
Bruno Cloutier
Jules Renaud

Phi Foundation for Contemporary Art
Founder and Director
Phoebe Greenberg

Managing Director and Curator
Cheryl Sim

Publisher
Hirmer Verlag
Munich

URL
principal.studio

Design Firm
Principal

Client
Phi Foundation for Contemporary Art

Principal Type
Beausite Classic
Suisse Works

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Liberté Conquérante/Growing Freedom: The Instructions of Yoko Ono and the Art of John and Yoko

Inspired by the spirit of the revolutionary pocketbook, this publication accompanies a major exhibition of Yoko Ono’s work at the Phi Foundation for Contemporary Art in Montréal. It features installation views from the exhibition, some previously unpublished photographs, and numerous essays on Ono’s work.

Principal Design and Art Direction
Julien Hébert
Montréal

Creative Direction
Mathieu Cournoyer

Infographist
Lucie Chagnon

Account Director
Sarah Rochefort

URL
principal.studio

Phi Foundation for Contemporary Art Founder and Director
Phoebe Greenberg

Co-Editors
Gunnar B. Kvaran
Cheryl Sim

Publisher
Hirmer Verlag

Design Firm
Principal

Client
Phi Foundation for Contemporary Art

Principal Type
Beausite Classic
Suisse Works

Dimensions
5 x 7.8 in.
(12.7 x 19.8 cm)

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